[ Carriage return ]
Springtime can kill you / 39 rows, 39 years / Stitching the past to the future as a present /Poppy seed to grape / O in the oven / We finally entwine divine /
No humans today / Halcyon Days / Nipples in the kitchen on a full moon / The stories we tell on the walk we take / Constant companions / U & I /
_6% of women / The fragility of vulnerability / Mild, Moderate, Severe /All that I wish I was
[ Carriage return ] is a postal exchange of typewriter drawings between Hilary Judd and Lucy May Schofield. Corresponding with one another between the city of Manchester and the remote Northumbrian countryside, their drawings cross geographical boundaries. This act of exchange stretches time, elongating the space between their dialogue of intimate expressions. [ Carriage return ] celebrates the limitations of the typewriters mechanisms; at its invention a time-saving print technology, today it’s slowness attracts a meditation on its physicality and restriction. The mis-hits, mistakes, failures and vulnerability of the medium is seductive, a contradiction to the over-edited and filtered platforms of communication now on offer. These rudimentary sensitive drawings encourage an honesty in the on-going conversation created between two worlds, two experiences, two friends.
An emphasis is placed on creating the space for these drawings to be made and to arrive at the door of the other, for the expressions held in print to travel the distance. This means of exchange echoes the actual time it takes to walk from place to place and feels like an almost political act in a world fixated on the immediacy of communication. While print technology can now make possible all that we desire, the attraction of exploring a tool used primarily for letter-writing in a world where people no-longer write letters, allows a freedom and abstraction of the drawn line. The physical space is made on the page to depict their perceptions of inhabiting different lives, Lucy’s life expanding through travel, experience and solitude and Hilary’s world contracting through the incubation of pregnancy and the birth of her son. This exhibition is a work-in-progress postal exchange collaboration created on a Tippa Adler & a Beaucourt Script 170 miles apart (or a 2 day, 4 hour walk).